Final Piece Update- 9th May

I am reaching the final stages of my piece, which is so far progressing well. I have been capturing each stage of my painting using my camera, which I may put together to create a time lapse, however I feel that there may be some problems as I didn’t take enough photos to create a long enough video. Due to the scale of my Final Piece, I have been unable to bring it to college and so I have been working from home quite a lot recently.

Along with working on my final piece, I have also been studying a variety of contemporary and past artists, as I want to continue developing my understanding of different methods of practice.

To conclude, I feel that I am managing my time efficiently and I feel that if I keep up the pace, everything will be completed by the deadline.

Artist Research-Vincent Van Gogh- 5th May

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“If you hear a voice within you say ‘you cannot paint,’ then by all means paint, and that voice will be silenced.”

I have recently been looking at the Artist called Vincent Van Gogh, who is thought to have been one of the greatest dutch artists after Rembrandt. I became intrigued by his work after seeing some of his famous pieces of work at the Tate in London. 
Vincent van Gogh was born on March 30, 1853, in Groot-Zundert, Netherlands. Van Gogh was a post-impressionist painter whose work, notable for its beauty, emotion and color, highly influenced 20th century art. He struggled with mental illness, and remained poor and virtually unknown throughout his life. Van Gogh died in France on July 29, 1890, at age 37, from a self-inflicted gunshot wound.
As it states above, Van Gogh died in a tragic way, and I personally believe that his mental struggles had some sort of contribution to his popularity in today’s society.
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‘Starry Night’

I love the movement displayed in the painting above and the cool tones, bring about a feeling of calmness .

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When I look at the image above, I immediately think of a warm breeze, due to the movement of the brush strokes in the painting, which have a strong sense of dynamism to them.
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‘Sunflowers’

After doing some background research on the painting above, I learnt that Vincent painted a series of four sunflower paintings, which were intended to be used as a decoration for Gogh’s friend, who lived in the so called Yellow- House, where Gogh and Gauguin worked together between October and December 1888.
The dying flowers are built up with thick brushstrokes (impasto). The impasto evokes the texture of the seed-heads. Van Gogh produced a replica of this painting in January 1889, and perhaps another one later in the year. The various versions and replicas remain much debated among Van Gogh scholars. 

Bryan Charnley – May 3rd

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Bryan John Charnley was born on 20th September 1949 in Stockton on Tees. He is one of the twins. He stayed with his parents in London, Chislehurst in Kent, Cranfield, where his father worked as a Senior Lecturer, and finally in Bromham near Bedford. He was a talented painter right from his young age. In the summer of 1968, aged 18, he suffered his first nervous breakdown, but he was able to complete a pre-diploma course in art at Leicester school of art later that year. He gained admission at Central School of Art and Design in Holborn, London in 1969 but was not able to complete the course due to another nervous breakdown which was later diagnosed as acute schizophrenia. He lived with his parents for six years from 1971-77 undergoing various treatments including ECT (ElectroConvulsive Therapy or Electroshock Therapy).

I have recently been intrigued by the artist called Bryan Charnley, a man who sadly committed suicide. In the process of his depression and mental breakdown, he managed to express his feelings through painting, which I think is absolutely fascinating despite John’s tragic history of nervous breakdowns his battle with acute schizophrenia.

As you can see below, Bryan was facing a variety of mental issues and it shows throughout his collection of self- portraits. I’m still undecided as to whether I like his style of painting but I am more interested in the idea behind the painting and I am curious about the thought process behind each of Bryan’s pieces of work.

In my final piece, I hope to create a sense of emotion through my painting technique and the style of brush markings, which should express a sense of maybe anger or excitement.

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8ft x 4ft Oil Painting/Final Piece- 1st May

I have recently begun work on my final piece, which has so far turned out fairly well. As you can see in the first image, I had already completed the preparation for my board, which I have discussed in a blog post prior.

I began with the eyes, as I feel that they are the most important feature of the image I am painting and require a higher level of detail. If you look closely, you can also see that I had faintly marked out the outline of my Dad’s face, to make the painting process much easier.

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I decided that Oil Paint would be the best form of paint for me to use, as I have the most experience using it and so, I knew that there would be a smaller chance of me having issues with blending and layering the paint. As you can see in the image below, I was keen to make sure that I incorporated a wide range of pastel/nude tones, as I felt that these colours add a certain level of interest to the painting, due to the fact that they don’t necessarily go accordingly with the colours from the actual image of the picture, which I had taken of my Dad.

I like that the colours do not match the picture and that I have taken on a more sporadical method of applying my paint, as I want my painting to serve a different purpose, rather than just echoing a picture; I wanted to create a sense of movement and dynamism and that is why I might choose to leave areas of the board unpainted.

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As you can see, I have been recording the progress of my painting and I feel that it is important to capture the profession of the start to the end. Also, I did mention to Sally, that I would be producing a non-stop time lapse, which could be included in the final show, however I didn’t think I would be able to fit such a long video onto my memory card and so, I have decided to take lots of images instead, which will hopefully work together as a slideshow.

Contemporary Artist-YUE MINJUNO- 1st May

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‘What was important to me was the creation part of painting. But it seems that something has changed. Maybe it’s the way money is becoming more important in society. I’m actually trying to make sense of the world. There’s nothing cynical or absurd in what I do. At first you think he’s happy, but when you look more carefully, there’s something else there. A smile doesn’t necessarily mean happiness; it could be something else.”-Yoe Minjun

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As you can see in the painting above, Yoe Minjun has in fact painted himself, with a huge grin across his face. Due to the style and the subject of Munjun’s work, some critiques label him as part of the Cynical Realism movement, however Munjun has mentioned in previous interviews, that he does not like to be labelled into any sort of movement or school.

I personally like the fact that Munjun’s first pieces of work were at first, based around self- expression before he built -up his own style.

In my own work, I feel like I have gone down the same route and my final piece will hopefully represent my own style, which I have picked up after having the opportunity to explore what I am capable of, during my time on the course. 

More work by YOE MUJUN pictured below

Whitworth Art Gallery/ The Lowry 29th April

I recently visited the Whitworth Art Gallery in Manchester, where the work of Barbara Brown was being exhibited. Despite my work not really relating to the concept/idea of surface pattern, I still loved looking at her work and it made me think about the set of images, which I originally took in The Tate a few months ago, when I was experimenting, using a longer shutter speed.

I really like the bold patterns of Barbara Brown and her work undeniably reminds me of wallpaper. As you can see, I have uploaded the images repeatedly, as I feel that this effect helps to get a feel of the pattern and how bold and effective it is.

I also noticed that Barbara tends to use colour schemes and pieces the different selections together depending on their colours. Personally, I thought that the pieces of work below where the best due to the size of them put together in the gallery.

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Unusually, I’m not drawn to browns, however the pattern below had a retro- type feel to it and it strongly reminded me of an optical illusion.

After I had been to the Whitworth, I decided to go and visit The Lowry, as I have always had a liking for Lowry since I heard the song about him called ‘Matchstick Cats and Dogs’. Furthermore, I love how Lowry manages to capture the variety of different characters within his work, which for me creates a certain sense of humour. The images below; I managed to take just before I got told to stop taking photo’s as pictures were actually prohibited.

Yacht Varnish/Priming – 26th April

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I have begun preparation for my Final Piece, and as you can see in the image above, the scale of my piece is considerably big and I have already been challenged with some issues.

As you may also notice, I am holding a can of varnish, which is pictured below, which I applied onto my board. Unfortunately though, the finish, which the varnish gave was visually not pleasing and I also felt that it just did not seem to make a difference to the feel of the board; as though the varnish had not effectively worked as a filler.

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After I had applied the ‘quick dry varnish’, I decided to go back to wilkinson’s and purchase the ‘clear, satin yacht varnish’, which I then applied to the other side of the board. Overall, the yacht varnish worked well and when I look back at the start of my project, I should have initially bought the yacht varnish instead of being impatient and opting for the ‘quick dry’.

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