Feedback from Peter- 28th March

I recently spoke to Peter about my current work, and he advised me with a few different things. Peter began by looking through my work, and he liked the collages, which I have recently been working on. After looking at my work, he came up with some artists, which I could have a look at to influence me. He then showed me some photo- realistic work by Chuck Close, which I have recently been studying after watching an interesting documentary about his career after he suffered from prosopagnosia.

I found the documentary to be insightful and it definitely made me feel motivated to try painting in a different way. I have recently been experimenting with acetate and over- laying drawings onto it, as you can see below. I like this concept and would like to develop it onto incorporating colours.

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Furthermore, after taking the idea of partially covering portraits, to create a dramatic effect, I recently tried experimenting with acrylic paints and photographs, as you can see below. I purposely created smudges, to create subtle gestures of facial features, which I feel has worked really effectively. I also like the array of colours against the black and white photograph.

Personally, when I look at this piece, I feel eager to learn more about the character in the photograph i.e. age, skin tone etc. Additionally, I am intrigued by the prospect of vandalism and distorting and manipulating an idea into something else. I am an avid reader of certain types of poetry, and the poem “Sunny Prestatyn’ by Philip Larkin strongly brought to mind an idea, which is similar to the concept of corrupting photographs.

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The poem expresses the idea of a poster advertisement for a holiday resort, which was once “sunny” and great, however over time, the place becomes distorted from the ideals of what one might expect, when one visualises a seaside, tourist attraction. But if the reader reads between the lines, the poster of the girl, was “slapped up” and the poem takes a dark turn as we think of abuse and women being degraded in society.

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In my own work, I want people to “read between the lines” and gather a deeper meaning from what is just straight in front of them.

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